* THE STATE OF SAO PAULO JOURNAL - São Paulo, SP
Helena Katz - 7/10/13
" Rosa Antuña, has been wprking with Mario Nascimento for 10 years, and exemplifies the fullest sense of beauty that comes from the permanence of this relationship. She performs the poetry of a dance like a wind blowing through a scene. Her voice travels through the air, and her body moves like an old cartoon: starting from the center and expanding out to the edges, gaining in clarity."
TERRITÓRIO NU 2011
* HOJE EM DIA JOURNAL - Belo Horizonte, MG
Miguel Anunciação
" As previously in "Faladores", Rosa Antuña assumes a specific role: in addition to dancing and singing, she babbles an invented language - as one to be talkative. To who is given a different place, at the height of trials and resonances that allows her, shall we say, channels of expression.
More than a dancer, an artist in plenitude."
FALADORES 2009
* O TEMPO JOURNAL - Belo Horizonte, MG
Soraya Belusi - 3/11/2009
" It is worth highlighting that Rosa Antuña, back on stage after a two year hiatus, has evolved, with large doses of delicacy and vitality, a combination that "Faladores" cause in those that watch."
* HOJE EM DIA JOURNAL - Belo Horizonte, MG
Miguel Anunciação - 2/4/2009
" Among the eight young dancers, Rosa Antuña is noteworthy: after two years recovering from major surgery, this dancer makes an extraordinary breakthrough. 'She studied a lot (says Mario Nascimento) while she was recovering, and devoted herself as an actress and now returnsto the stage dancing, playing instruments and doing all she does well. She is complete, she is soaring into her future, even as an actress."
* HOJE EM DIA JOURNAL - Belo Horizonte, MG
Miguel Anunciação
Time for a solo by Rosa Antuña: untitled but set to debut in November. The work is inspired by "Women who run with the Wolves", By Clarissa Pinkopla a psychiatrist, who reinterprets fairy tales according to her vision of the Wils Woman, and her nature prior to socio-cultural constraints. 'A woman who doesn't constantly create become boring, gray, nervous', says Rosa, who in this first process of investmentbeyond dance - Theater dance? Dance theater? - She wanted to distance herself from a theme other than herself. 'I wanted to do something to share with people."
Also, a highly respected professional, Rosa brings to this project a series of experiences and studies that have accumulated over her long carrer, including that as an actress. Her experiences include Cuba, Germany, São Paulo and Minas Gerais, where she worked with Minas Classical Dance Center (Centro Mineiro de Danças Clássicas), 1st ACT (Primeiro ATO), CEFAR and Mimulus and of course the reputable importance of the partnership that has been established with Mario Nascimento since the process of "Escambo". 'It's the director who undestands me most', she assures.
FALADORES 2008
* O TEMPO JOURNAL - Belo Horizonte, MG
Soraya Belusi - 12/26/2008
" Mario Nascimento's Dance Company toasted to its ten-year anniversary with a grand opening high with the show "Faladores" (Talkative). There are moments of extreme subtlety, as in the beginning of the show where Rosa Antuña (sensational) tailors words together seamlessly from out her mouth."
ESCAMBO 2004
* THE STATE OF SAO PAULO JOURNAL - São Paulo, SP
Helena Katz - 11/27/2004
" It is noteworthy to point out the refinement of Rosa Antuña, who speaks, sings and plays instruments, skills that combine to project her amongst the best dancers within the country."
Miguel Anunciação - 2/4/2009
" Among the eight young dancers, Rosa Antuña is noteworthy: after two years recovering from major surgery, this dancer makes an extraordinary breakthrough. 'She studied a lot (says Mario Nascimento) while she was recovering, and devoted herself as an actress and now returnsto the stage dancing, playing instruments and doing all she does well. She is complete, she is soaring into her future, even as an actress."
* HOJE EM DIA JOURNAL - Belo Horizonte, MG
Miguel Anunciação
Time for a solo by Rosa Antuña: untitled but set to debut in November. The work is inspired by "Women who run with the Wolves", By Clarissa Pinkopla a psychiatrist, who reinterprets fairy tales according to her vision of the Wils Woman, and her nature prior to socio-cultural constraints. 'A woman who doesn't constantly create become boring, gray, nervous', says Rosa, who in this first process of investmentbeyond dance - Theater dance? Dance theater? - She wanted to distance herself from a theme other than herself. 'I wanted to do something to share with people."
Also, a highly respected professional, Rosa brings to this project a series of experiences and studies that have accumulated over her long carrer, including that as an actress. Her experiences include Cuba, Germany, São Paulo and Minas Gerais, where she worked with Minas Classical Dance Center (Centro Mineiro de Danças Clássicas), 1st ACT (Primeiro ATO), CEFAR and Mimulus and of course the reputable importance of the partnership that has been established with Mario Nascimento since the process of "Escambo". 'It's the director who undestands me most', she assures.
FALADORES 2008
* O TEMPO JOURNAL - Belo Horizonte, MG
Soraya Belusi - 12/26/2008
" Mario Nascimento's Dance Company toasted to its ten-year anniversary with a grand opening high with the show "Faladores" (Talkative). There are moments of extreme subtlety, as in the beginning of the show where Rosa Antuña (sensational) tailors words together seamlessly from out her mouth."
ESCAMBO 2004
* THE STATE OF SAO PAULO JOURNAL - São Paulo, SP
Helena Katz - 11/27/2004
" It is noteworthy to point out the refinement of Rosa Antuña, who speaks, sings and plays instruments, skills that combine to project her amongst the best dancers within the country."
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